- RED EPIC-X
- An absolutely epic Camera. The RED Epic. The best Choice for your Project. If Cinema, Documentary or Commercial. Highspeed, RAW and the extreme Dynamic Range up to 18 stops (with HDRx) are the main arguments for this Camera.
| TECHSPECS | |
|---|---|
| SENSOR | 14 Megapixel Mysterium X™ |
| PIXEL ARRAY | 5120x2700 |
| DYNAMIC RANGE | 13,5 stops, 18 stops possible with HDRx™ |
| LENS COVERAGE | 27,7mm x 14,6mm x 31,4mm |
| DEPTH OF FIELD |
Equivalent to 35mm (Motion) / APS-H (Still) lenses Equivalent to 16mm (Motion) lens in 2k RAW |
| FORMATS |
5k RAW (Full Frame, 2:1, Anarmorphic 2:1) 4,5k RAW (2,4:1) 4k RAW (16:9, HD, 2:1, Anamorphic 2:1) 3k RAW (16:9, 2:1 and Anamorphic 2:1) 2k RAW (16:9, 2:1 and Anamorphic 2:1) 1080p RGB (16:9) 720p RGB (16:9) |
| FRAME RATES |
23.98, 24, 25, 29.97, 47.96, 48, 50, 59.94 1-120 fps @ 5K, 4.5K 1-150 fps @ 4K 1-200 fps @ 3K 1-300 fps @ 2K |
- SONY NEX-FS700
- A low expensive Slowmotion alternative. Up to 200 fps in Full HD and S-LOG2 are the interesting points at this 4K-Super-35-mm-CMOS-Sensor. Really good performance in low-light Situations, perfect for Documentaries or High-Speed Commercials.
| TECHSPECS | |
|---|---|
| SENSOR | 11,6 Megapixel 4K-Exmor-Super-35-mm-CMOS-Sensor |
| PIXEL ARRAY | 5120x2700 |
| DYNAMIC RANGE | 12 stops |
| LENS COVERAGE | 25,5mm x 15,6mm |
| DEPTH OF FIELD | Equivalent to Super35mm |
| FORMATS |
4k RAW 1080p HD 720p |
| FRAME RATES |
23.98, 24, 25, 29.97, 47.96, 48, 50, 59.94 1-120 fps @ 5K, 4.5K 1-200 fps @ 4K |